Cirque Corner


Cirque du Soleil [ You are here: Grand Chapiteau | Historia | 1992 ]




1982 · 1983
1984 · 1985
1986 · 1987
1988 · 1989


1990 · 1991
1992 · 1993
1994 · 1995
1996 · 1997
1998 · 1999


2000 · 2001
2002 · 2003
2004 · 2005
2006 · 2007
2008 · 2009


2010 · 2011
2012 · 2013
2014 · 2015
2016 · 2017
2018 · 2019
2020 · 2021







"Welcome to our big top full of dreams," exclaimed Guy Laliberté in 1988, after the smashing success of Le Cirque Réinventé. He repeated this welcome four years later, only this time not in French or English but in Japanese.

Cirque du Soleil crosses the Pacific and makes a name for itself in the Land of the Rising Sun with Facsination, a collage of the best acts from Le Cirque Réinventé and Nouvelle Expérience The show opens in Tokyo and then moves on to seven other cities, for a total of 118 performances in 4 months. Over 560,000 (569,883) people see the show. Meanwhile, in Europe, Cirque du Soleil joins forces with Switzerland's Circus Knie and stages a show in over 60 towns throughout the country. In North America, Cirque du Soleil makes its Las Vegas debut when Nouvelle Expérience kicks off a year-long engagement under a big top at the Mirage Hotel. Already juggling several productions, Cirque adds a monument to its repertoire of shows: Saltimbanco. Premiering in Montreal, this latest production is a celebration of life. Designed as an antidote to the violence and despair of the 20th century, this phantasmagoric show offers an alternative view of the urban environment brimming with optimism and joy.

Although Cirque wouldn't know it at the time – couldn't know it, really – 1992's Saltimbanco would change the course of the company’s history forever. Though Cirque found success with Le Cirque Réinventé (1987-1990) and compounded that success with Nouvelle Expérience (1990-1993), it would be Saltimbanco’s colorful explosion of artistry, depth and emotion that would catapult Cirque du Soleil into the realm of avant-garde masters, where it would remain for decades to come. Developed under the direction and vision of Franco Dragone, and polished with the assistance of a coven of creative thinkers, Saltimbanco is considered one of the first Cirque du Soleil productions to focus entirely on a specific set of themes and ideas, presented to the audience without bias or without explanation; a method that would become the signature of Cirque du Soleil for years to come: “the vague intuition”.

1991 1993

Cirque Corner