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    A fearless Aviator who happens to be an expert in the discipline
	of rola bola makes a soft, graceful landing in his small propeller 
	plane, which he will use as a platform. Balanced on his impressive, 
	tottering structure, the artist and his cylinders and planks rest on 
	a platform built into a trapeze Washington. The suspended apparatus 
	moves up and down and swings in a long pendulum motion – an incredible 
	feat requiring an extraordinary sense of balance.  
 Rola Bola is one of this production’s centerpieces. “It’s the only
	act of rola bola aerial of its kind in the world,” said Michel Laprise 
	in an interview with the Montreal Gazette. “When I was presented that 
	act by Casting I said: ‘we do everything to get this guy.’” And so 
	they did. The “guy” is James Eulises Gonzalez Correa, a native of 
	Colombia who has performed all over the world. And his act is simply 
	breathtaking. Gonzalez personifies The Aviator (you can spot him throughout various 
	scenes wearing a gold-lined, translucent aqua-colored overcoat, aviator 
	goggles and appropriate leather head-gear. And in the opening of the 
	show, flinging far-traveling paper airplanes into the crowd), man’s 
	dream and ambition of achieving mechanical flight; he makes his approach 
	upstage (quite literally) in a boxy winged aircraft of his own design. 
	As he lands, he transforms his aircraft into a performance space where 
	he first balances upon a bowling ball, then ever-increasing (and rotating) 
	cylinders. And just when you think he couldn’t up the difficulty, he 
	returns to the air, all the while balancing on his rolas… Invented in 
	1898 by Vasque, a Frenchman, the Rola Bola discipline consists of standing 
	and balancing on an unstable assembly of boards supported by cylinders 
	roughly 25 centimeters in diameter. The system is a lever similar to a 
	see-saw that the performer stands on, usually with the left and right 
	foot at opposite ends of the board. The performer must then stay balanced 
	enough to keep the board’s edges from touching the stage and to keep from 
	falling off the apparatus. INTERMISSION  |  |  |